Online Galleries Alert and Portrait Challenge

I am now receiving a bazillion emails from angry artists wanting to unsubscribe from a site called

buzzmyart.com. Stay away from the site which was supposed to be an online gallery. It is actually some sort of virus and somehow all of us are being bombarded with each others angry requests to unsubscribe.

I am such a technological dinosaur and can't imagine how this works or how I can stop it. I just deleted 84 angry emails directed at buzzmyart, but somehow sent to me. If anyone has advice, please send asap.

Also, my session with Alice this past weekend was a bust, I froze up again. Then the next day, my model was sick and could not make it. I am calling it quits for the challenge for now, since there is just one week to go and I am not going to make it to the goal of 10 portrait studies.

On the positive side, my drawing "Study for Venus" was juried into the Art League Gallery show this month. It is a trois crayon drawing which I posted not long ago.

Museum of the Shenandoah Valley

Recently, Brett and I visited the Museum of the Shenandoah Valley thinking that this would be a tiny museum full of farm implements and early settlers exhibits with maybe one or two references to Patsy Cline, since she was a Winchester native. Imagine my astonishment and pleasure when after viewing the aforementioned items, we walked into a room marked "Gallery" above the door. Inside the supposed gallery was a room of landscape art and then another room titled the Grand Tour and finally a phenominal collection of portraiture that the last heir to Glen Burnie, Julian Wood Glass, Jr, had amassed while living in New York. There were paintings by Cropsey, Gainsborough, Joshua Reynolds,Thomas Lawrence, John Singleton Copley and my personal favorite Gilbert Stuart. The artworks span three centuries and also there is the sofa once owned by England's Queen Charlotte which is also seen in a wonderful portrait in the display. You just don't expect this complete and fine a collection in Winchester.

Not only does this museum hold two of my passions, history and art, they also have a fantastic display of miniatures in an adjacent room. This is the collection of R. Lee Taylor and is not just your usual tiny doll house, but holds a mansion Mr. Taylor designed and built himself, complete with tiny paintings in almost every room. There is also a general store, a river plantation house (complete with ghost) and absolutely amazing furniture and furnishings all built by Mr. Lee or some of the most noteworthy miniaturists of our time.

There is also a chair collection and display (not my thing).

Be sure to allow time to also tour the Glen Burnie Historic House and the fabulous gardens. The gardens are a must for anyone who aspires to be a Master Gardener or Landscaper.

There is a charge for each area, or a 3 for one price special.

Portrait challenge not going well

Seems like this portrait challenge was an unrealistic undertaking. I can't get enough models. Everyone is too shy. But, Alice is coming back on Friday and I think her portrait may just turn out decent if I can get past the pressure I am placing myself under. Also, Jennifer came down to the studio on Saturday and we had a real good first session. She originally volunteered to be Medusa, but during the photo session I determined that she is more the Virgin Mary type or even a good Venus. Since my Venus quit me, Jennifer has agreed to step in and model for that one. Jennifer has a really adorable dog named Bronson. I think I will ask Bronson to model also.

Bittersweet Ending

This week, I traveled to the National Gallery of Art in Washington DC to clean out my copyist locker and pick up my painting. Because of the ever worsening gas situation, DC's parking meter hikes and the lack of parking, not to mention the incredible 2 hour drive in rush hour traffic, I simply was not enjoying copying at the NGA very much anymore, because of the stress of getting into DC. I also have Lupus, which is directly affected by stress. This photo is of me standing beside the last painting I was working on copying. I have it about 2/3rds finished and it was quite a huge undertaking. The painting is by Willem Claesz Heda and is called Banquet Piece with Mince Pie.

I intend to finish it from photos, although this is not the best method, since I won't be able to really see the true colors or brushwork. This incredible journey of self instruction at the National Gallery started in 2001 and has been invaluable to my education.

Don't I look sad? I am!

Made the news again!

Looks like I got some more much needed press this week. I have two images in the Rappahannock News this week on page B1 in the Countryside section. For a small newspaper, they do a very nice job covering the art scene in Rappahannock County.

Italian Fruit Basket

I call this painting my Italian Fruit Basket. It is almost finished. I started it on Sunday when I did not have a model. I have probably worked on it for a total of 9 hours. This is one of those paintings that seems to paint itself. I have two light sources on it which gives me a warm bright highlight on the left and a cool north light coming in on the right. Also, the lights are coming from above. I actually have this basket of fruit on the easel bar right beside the panel and the panel is 12 x 12. The fruits are painted their actual size. I will most likely spend another four hours on this painting.

I am thinking of not adding any vanitas symbolism to this painting. Well, maybe just one little honey bee. What do you think?

Finally, A Good Start

Alice sat for me again Monday. I tried twice to get going with the color. You can see that some of the original sketch is visible. Finally after painting and then wiping off all I had painted, I took Alice to lunch thinking that fresh eyes would see where I was going wrong. When we returned from lunch, I wiped off the whole mess again. I then realized that I was trying to paint like Michael Shane Neal and that just was not how my mind works. He is very fast and loose, laying in the planes of the face and sculpting the head rapidly and all the while carrying on a conversation with the model.

So I told Alice that we would try it my way. I don't talk alot while I work and I am slow and deliberate with my color mixing and strokes. This is the result of one hour at my own pace and my own style.